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Franco Maria Ricci Editore
6007

No.4

Winter Solstice 2022

FMR
2022 / 124 PAGES. Language: English, Italian
Issue Four of FMR arrives with the winter solstice and has a cascade of light flaming on the cover: it opens with a piece by Nobel Prize winner Orhan Pamuk, which brings Dayanita Singh’s photograph to the pages of FMR, then continues with the cycle by Vittorio Zecchin The Thousand and One Nights, from the early twentieth century like The Nibelungs.
A similar dialogue affects two other centuries, the sixteenth and eighteenth, which are shown to the reader under two facets each. Antonio Filipe Pimentel describes the history of the cenotaphs erected in the sixteenth century at the Escorial, while a manuscript with adventurous events takes us to the eastern lands colonized by Europeans in that century; Andrew Graham-Dixon draws a penetrating portrait of Stubbs as a portraitist of horses in eighteenth-century England, while Benedetta Craveri offers an elegant narrative of a love story in pre-revolutionary France that unfolded through the arts.
Franco Maria Ricci Editore

HORS D’ŒUVRE

“Emotions” – The Light and Texture of Memory

by Orhan Pamuk

“Auctions” – A Czarina’s Parting Gift

by Massimo Navoni

“Bibliophilia” – A Total Artwork Writ Small

by Stefano Salis

THE CUPID SELLER

by Benedetta Craveri

reading from Élisabeth Vigée Le Brun

Benedetta Craveri offers an elegant narrative of a love affair in pre-Revolutionary, spun out in various works of art.

SOMBER AND SOLEMN

by António Filipe Pimentel

reading from Théophile Gautier

photography by Giovanni Ricci-Novara

António Filipe Pimentel describes the history of the cenotaphs erected at the Escorial in the sixteenth century.

THE MANILA MANUSCRIPT

by Giorgio Antei

A manuscript with an adventuresome background takes us to Eastern lands colonized by Europeans in the sixteenth century.

PORTRAIT OF A RACEHORSE

by Andrew Graham-Dixon

reading from H.D. Lawrence

Andrew Graham-Dixon pens a perceptive portrait of George Stubbs, the horse portraitist of eighteenth-century England.

SPARKS, RIPPLES, AND MOLTEN GLASS

by Giorgio Villani

The artistic cycle of Vittorio Zecchin’s Thousand and One Nights, from the turn of the twentieth century, inspired by exoticism and fable.

Franco Maria Ricci Editore
Franco Maria Ricci Editore
Franco Maria Ricci Editore